1.0Camera Austriahttps://camera-austria.at/en/145 | 2019 - Camera Austriarich600338<blockquote class="wp-embedded-content" data-secret="jE3NsCCTxt"><a href="https://camera-austria.at/en/zeitschrift/145-2019/">145 | 2019</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://camera-austria.at/en/zeitschrift/145-2019/embed/#?secret=jE3NsCCTxt" width="600" height="338" title="“145 | 2019” — Camera Austria" data-secret="jE3NsCCTxt" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
/* <![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://camera-austria.at/wp-includes/js/wp-embed.min.js
/* ]]> */
</script>
https://camera-austria.at/wp-content/uploads/2019/03/ca-zeitschrift-cover-CA145_491.jpg347491The contributions to the March issue of Camera Austria International probe the terrain between photography and cinematography; the themes of the artists introduced here range from the effects of historical photography and its usurpation for the causes of political ideology through the violent permeation of landscape and on to the initiation of a fictive dialogue […]