1.0Camera Austriahttps://camera-austria.at/en/rich600338<blockquote class="wp-embedded-content" data-secret="4zFCTBybe4"><a href="https://camera-austria.at/en/zeitschrift/160-2022/">160 | 2022</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://camera-austria.at/en/zeitschrift/160-2022/embed/#?secret=4zFCTBybe4" width="600" height="338" title="“160 | 2022” — Camera Austria" data-secret="4zFCTBybe4" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://camera-austria.at/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://camera-austria.at/wp-content/uploads/2022/11/CAI-160_Cover.jpg14001963Starting from the question of how analogue and digital photography currently interrelate, Camera Austria International no. 160 revolves around pivotal reflections on the perception of images, reflections that have accompanied photography since the medium’s inception, with its aspects being reconfigured anew, time after time. This interplay between apparatus, photographic dispositif, and its enmeshment in certain […]