1.0Camera Austriahttps://camera-austria.at/en/rich600338<blockquote class="wp-embedded-content" data-secret="xRysOhXKab"><a href="https://camera-austria.at/en/zeitschrift/67-1999-2/">67 | 1999</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://camera-austria.at/en/zeitschrift/67-1999-2/embed/#?secret=xRysOhXKab" width="600" height="338" title="“67 | 1999” — Camera Austria" data-secret="xRysOhXKab" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://camera-austria.at/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://camera-austria.at/wp-content/uploads/2013/02/ca_zeitschrift_cover_67.jpg346491While preparing our last issue, CAMERA AUSTRIA No. 66, which was dubbed “Scene of the Crime” and included an essay by Diedrich Diederichsen that focused on the question of political memory through photographs, we came across the recent work of Gustav Metzger (born 1926). Known in the Sixties for his manifestos and “lecture-demonstrations” of his […]