{"version":"1.0","provider_name":"Camera Austria","provider_url":"https:\/\/camera-austria.at\/en\/","title":"Christodoulos Panayiotou: The Invention of Antiquity - Camera Austria","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"7EV8RtcBAE\"><a href=\"https:\/\/camera-austria.at\/en\/ausstellungen\/christodoulos-panayiotou-the-invention-of-antiquity-2\/\">Christodoulos Panayiotou: The Invention of Antiquity<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/camera-austria.at\/en\/ausstellungen\/christodoulos-panayiotou-the-invention-of-antiquity-2\/embed\/#?secret=7EV8RtcBAE\" width=\"600\" height=\"338\" title=\"&#8220;Christodoulos Panayiotou: The Invention of Antiquity&#8221; &#8212; Camera Austria\" data-secret=\"7EV8RtcBAE\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/camera-austria.at\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/camera-austria.at\/wp-content\/uploads\/2013\/01\/ca_ausstellungen_panayiotou1.jpg","thumbnail_width":491,"thumbnail_height":491,"description":"In many projects of recent years, Christodoulos Panayiotou has explored mechanisms of identity creation and the construction of publicness through images showing rituals and ceremonies of a theatrical, performative, and collective nature. These pictures originate from various archives in Cyprus, particularly from the time following 1960, the year Cyprus celebrated its newfound independence. In this respect, his photographic series\u2014like \u201cThe Invention of Tradition\u201d and \u201cThe Invention of Folklore\u201d (2011), but most especially the slide series \u201cWonder Land\u201d (2008), \u201cNever Land\u201d (2008) and \u201cI Land\u201d (2010)\u2014address the issue of the (visual) construction of national identity."}