{"version":"1.0","provider_name":"Camera Austria","provider_url":"https:\/\/camera-austria.at\/en\/","title":"118 | 2012 - Camera Austria","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"AyfkELl1gz\"><a href=\"https:\/\/camera-austria.at\/en\/zeitschrift\/118-2012-2\/\">118 | 2012<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/camera-austria.at\/en\/zeitschrift\/118-2012-2\/embed\/#?secret=AyfkELl1gz\" width=\"600\" height=\"338\" title=\"&#8220;118 | 2012&#8221; &#8212; Camera Austria\" data-secret=\"AyfkELl1gz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/camera-austria.at\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/camera-austria.at\/wp-content\/uploads\/2012\/06\/ca_zeitschrift_cover_118-2138x3000.jpg","thumbnail_width":2138,"thumbnail_height":3000,"description":"\u201cAn initial pre-requisite to clarifying how the novelist [editor\u2019s note: Marcel Proust] was referencing photography lies in how the two mediums\u2014photography and the novel\u2014resist forgetting the past. It was photography that conveyed the subjective subtlety of memory through the mechanics of technical, industrial processes. A further splendid analogous relationship links photography and literature: both strive [&hellip;]"}