{"version":"1.0","provider_name":"Camera Austria","provider_url":"https:\/\/camera-austria.at\/en\/","title":"127 | 2014 - Camera Austria","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Cf9BK286ac\"><a href=\"https:\/\/camera-austria.at\/en\/zeitschrift\/127-2014\/\">127 | 2014<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/camera-austria.at\/en\/zeitschrift\/127-2014\/embed\/#?secret=Cf9BK286ac\" width=\"600\" height=\"338\" title=\"&#8220;127 | 2014&#8221; &#8212; Camera Austria\" data-secret=\"Cf9BK286ac\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/camera-austria.at\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/camera-austria.at\/wp-content\/uploads\/2014\/09\/CA127_Cover.jpg","thumbnail_width":347,"thumbnail_height":491,"description":"The rose merchants in Paola Yacoub\u2019s \u201cLes fleurs de Damas\u201d (The Flowers of Damascus, 2002) could be Syrian spies. What is visible on Trevor Paglen\u2019s photographs cannot be definitively identified. Even the context-eluding newspaper photos in Peter Friedl\u2019s \u200a\u201cTheory of Justice\u201d (1992\u20132010) are (no longer) self-explanatory. The artists presented in the current issue of Camera [&hellip;]"}