{"version":"1.0","provider_name":"Camera Austria","provider_url":"https:\/\/camera-austria.at\/en\/","title":"67 | 1999 - Camera Austria","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"onr6UxCfqD\"><a href=\"https:\/\/camera-austria.at\/en\/zeitschrift\/67-1999-2\/\">67 | 1999<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/camera-austria.at\/en\/zeitschrift\/67-1999-2\/embed\/#?secret=onr6UxCfqD\" width=\"600\" height=\"338\" title=\"&#8220;67 | 1999&#8221; &#8212; Camera Austria\" data-secret=\"onr6UxCfqD\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/camera-austria.at\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/camera-austria.at\/wp-content\/uploads\/2013\/02\/ca_zeitschrift_cover_67.jpg","thumbnail_width":346,"thumbnail_height":491,"description":"While preparing our last issue, CAMERA AUSTRIA No. 66, which was dubbed \u201cScene of the Crime\u201d and included an essay by Diedrich Diederichsen that focused on the question of political memory through photographs, we came across the recent work of Gustav Metzger (born 1926). Known in the Sixties for his manifestos and \u201clecture-demonstrations\u201d of his [&hellip;]"}