{"id":36905,"date":"2016-10-27T16:36:24","date_gmt":"2016-10-27T14:36:24","guid":{"rendered":"http:\/\/camera-austria.at\/2016\/10\/david-maljkovic-again-and-again-2\/"},"modified":"2016-10-27T16:36:24","modified_gmt":"2016-10-27T14:36:24","slug":"david-maljkovic-again-and-again","status":"publish","type":"post","link":"https:\/\/camera-austria.at\/en\/2016\/10\/david-maljkovic-again-and-again\/","title":{"rendered":"David Maljkovi\u0107: Again and Again"},"content":{"rendered":"<p><strong>Curated by<\/strong> Bojana Pi\u0161kur and What, How &amp; for Whom\/WHW<\/p>\n<p><strong>Opening<\/strong>: 25 October 2016 at 8 p.m., <a href=\"http:\/\/www.mg-lj.si\/en\/exhibitions\/1825\/exhibition-david-maljkovic\/\">Moderna Galerija \/ Museum of Modern Art Ljubljana<\/a><\/p>\n<p>Taking place a year after\u00a0<em>A Retrospective by Appointment\u00a0<\/em>in Zagreb,\u00a0<em>Again and Again\u00a0<\/em>offers a new take on the genre of retrospective exhibition, tracing narratives and methods that occur in\u00a0<strong>David Maljkovi\u0107<\/strong>\u2019s work. While the Zagreb retrospective opened a subtle dialogue with the Zagreb institutional landscape, the atmosphere of its sociability and rhythms of cultural life through engaging with small-scale institutions,\u00a0<em>Again and Again<\/em>\u00a0looks into the approaches and obsessions recurring in David\u2019s works that offer various points of entry to the institutional and social history of Moderna galerija \/ the Museum of Modern Art in Ljubljana and the Museum of Contemporary Art Metelkova.<\/p>\n<p><em>Again and Again\u00a0<\/em>brings together a range of works, as well as elements of installations from different stages of Maljkovi\u0107\u2019s career, along the way deconstructing the genre of a \u201cmid-career\u201d retrospective by taking a nonhierarchical approach to all the works and objects, putting them side by side on seemingly inadequate, unlikely structures taken from the Museum\u2019s storage areas. Defying expectations and taking a humorous approach to the retrospective format itself,\u00a0<em>Again and Again<\/em>\u00a0problematizes its own relation to the context and infrastructure by reusing and repurposing elements of previous exhibitions\u2019 furniture and displays, thus probing institutional protocols and history.<\/p>\n<p>K<em>ey concerns and methods of David Maljkovi\u0107\u2019s work \u2013 individual and collective relationships towards the complexities of time, a collagist approach,<\/em>\u00a0self-referentiality, referencing the work of other artists, the use of his earlier works and exhibition displays as material, inquiry into the notion of art\u2019s autonomy, exploring the nature of the gaze, carefully choreographing the exhibition experience \u2013 are all visible within the exhibition. Throughout his practice, David Maljkovi\u0107 creates a web of relations that evoke the various metamorphoses of his work, calling attention to their formal aspects, as well as the circumstances of their production. The architectural reconfigurations of the space, as well as various exhibition constructions taken from the Museum\u2019s storage areas, become elements in David\u2019s method that works with the tensions between the procedures of exhibition display, which draw the viewers into the exhibition narrative, and those that are aimed at creating the estrangement effect. The rhythm and heightened physical presence of the exhibition elements that could equally be called exhibition architecture, scenography, or sculpture, direct the ways of looking and contextualize the individual works within a \u201cchoreographed\u201d experience.<\/p>\n<p><em>Again and Again<\/em>\u00a0is organized around subtle clues for tracing and reconstructing fragments, transformations, metamorphoses and references, but humor and a playful nonchalance allow for the \u201chere and now\u201d of the exhibition as an aesthetic and social experience that aims to see what is the core of contemporary art once the forms are disrespected and disrespectful, and how this could open the possibility to radically reimagine both exhibition practice and the future of cultural institutions.<\/p>\n<p><strong>David Maljkovi\u0107<\/strong>, born in Rijeka, Croatia in 1973, lives and works in Zagreb. His recent solo exhibitions include:\u00a0<em>The Exhibition is Becoming<\/em>, VOX Centre de l\u2019image contemporaine, Montreal (2016),\u00a0<em>In Low Resolution<\/em>, Palais de Tokyo, Paris (2014), Kunstmuseum St. Gallen, St. Gallen (2014),\u00a0<em>Sources in the Air<\/em>, Baltic Centre for Contemporary Art, Gateshead (2013),\u00a0<em>Sources in the Air<\/em>, Van Abbemuseum, Eindhoven (2012),\u00a0<em>Exhibitions for Secession<\/em>, Wiener Secession, Vienna (2011),\u00a0<em>Out of Projection<\/em>, Museo Nacional Centro de Arte Reina Sofia, Madrid (2009). Maljkovi\u0107 has participated in group shows such as:\u00a0<em>The Eighth Climate (What Does Art Do?),<\/em>\u00a011th Gwangju Biennale, Gwangju (2016),\u00a0<em>Scenes for a New Heritage: Contemporary Art from the Collection<\/em>, Museum of Modern Art, New York, USA (2015),\u00a0<em>All The World\u2019s Futures,<\/em>\u00a056th Biennale di Venezia, Venice (2015),\u00a0<em>Animism<\/em>, Haus der Kulturen der Welt, Berlin (2012),\u00a0<em>The Present and Presence<\/em>, Museum of Contemporary Art Metelkova, Ljubljana (2011), 29th S\u00e3o Paulo Art Biennial, S\u00e3o Paulo (2010),\u00a0<em>What Keeps Mankind Alive<\/em>, 11th Istanbul Biennial, Istanbul (2009),\u00a0<em>When Things Cast No Shadow<\/em>, 5th Berlin Biennial for Contemporary Art, Berlin (2008).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Curated by Bojana Pi\u0161kur and What, How &amp; for Whom\/WHW Opening: 25 October 2016 at 8 p.m., Moderna Galerija \/ Museum of Modern Art Ljubljana Taking place a year after\u00a0A Retrospective by Appointment\u00a0in Zagreb,\u00a0Again and Again\u00a0offers a new take on the genre of retrospective exhibition, tracing narratives and methods that occur in\u00a0David Maljkovi\u0107\u2019s work. While [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[],"class_list":["post-36905","post","type-post","status-publish","format-standard","hentry","category-redaktion-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>David Maljkovi\u0107: Again and Again - Camera Austria<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/camera-austria.at\/en\/2016\/10\/david-maljkovic-again-and-again\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"David Maljkovi\u0107: Again and Again - Camera Austria\" \/>\n<meta property=\"og:description\" content=\"Curated by Bojana Pi\u0161kur and What, How &amp; for Whom\/WHW Opening: 25 October 2016 at 8 p.m., Moderna Galerija \/ Museum of Modern Art Ljubljana Taking place a year after\u00a0A Retrospective by Appointment\u00a0in Zagreb,\u00a0Again and Again\u00a0offers a new take on the genre of retrospective exhibition, tracing narratives and methods that occur in\u00a0David Maljkovi\u0107\u2019s work. 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