{"id":37552,"date":"2016-12-15T14:28:28","date_gmt":"2016-12-15T13:28:28","guid":{"rendered":"http:\/\/camera-austria.at\/?p=37552"},"modified":"2016-12-15T14:28:28","modified_gmt":"2016-12-15T13:28:28","slug":"deutsche-borse-photography-foundation-prize-2017-2","status":"publish","type":"post","link":"https:\/\/camera-austria.at\/en\/2016\/12\/deutsche-borse-photography-foundation-prize-2017-2\/","title":{"rendered":"Deutsche B\u00f6rse Photography Foundation Prize 2017"},"content":{"rendered":"

This year\u2019s shortlist for the Deutsche B\u00f6rse Photography Foundation Prize 2017<\/a> celebrates established photographic narratives alongside experimental and conceptual approaches to documentary, landscape and portraiture. All of this year\u2019s nominated artists investigate questions of truth and fiction, doubt and certainty, what constitutes the real and ideal and the relationship between the observer and the observed.<\/span><\/span><\/span><\/p>\n

Works by the four shortlisted photographers will be exhibited at The Photographers\u2019 Gallery from 3 March until 11 June 2017 and subsequently presented at the Museum f\u00fcr Moderne Kunst\u00a0in Frankfurt from 29 June until 17 September 2017.<\/span><\/span><\/span><\/p>\n

The winner will be announced at a special award ceremony during the exhibition run at The Photographers’ Gallery in London.<\/span><\/span><\/span><\/p>\n

Jury: <\/span><\/span><\/span><\/h3>\n

Susan Bright, Curator; Pieter Hugo, Artist; Karolina Lewandowska, Curator of Photography\u00a0at Centre Pompidou Paris; Anne-Marie Beckmann,\u00a0Director, Deutsche B\u00f6rse Photography Foundation and Clare Grafik, Head of Exhibitions, The Photographers\u2019\u00a0Gallery as the non-voting chair<\/span><\/span><\/span><\/p>\n

 <\/p>\n

The Shortlist:<\/span><\/span><\/span><\/h3>\n

Sophie Calle<\/strong> <\/span><\/span><\/span><\/p>\n

Sophie Calle\u00a0(b.1953, France)\u00a0has been nominated for her publication\u00a0<\/span><\/span><\/span>My All<\/span><\/span><\/span><\/em>\u00a0(Actes Sud, 2016) which finds the artist experimenting with yet another medium – the postcard set. Taking stock of her entire \u0153uvre, this set of postcards functions as a beautiful portfolio of Calle\u2019s work, as well as a new investigation of it, in an appropriately nomadic format. Over the past thirty years, Sophie Calle has invited strangers to sleep in her bed, followed a man through the streets of Paris to Venice, hired a detective to spy on herself before providing a report of her day, and asked blind people to tell her about the final image they remember. In doing so, she has orchestrated small moments of life, establishing a game, then setting its rules for herself and for others.<\/span><\/span><\/span><\/p>\n

Dana Lixenberg<\/strong> <\/span><\/span><\/span><\/p>\n

Dana Lixenberg<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span><\/strong>(b. 1964, The Netherlands) has been nominated for her publication <\/span><\/span><\/span>Imperial Courts<\/span><\/span><\/span><\/em> (Roma, 2015 \/ reviewed in Camera Austria International 133<\/em><\/a>). In 1992, Dana Lixenberg travelled to South Central Los Angeles for a magazine story on the riots that erupted following the verdict in the Rodney King trial. What she encountered inspired her to revisit the area, and led her to the community of the Imperial Courts housing project in Watts. Returning countless times over the following twenty-two years, Lixenberg gradually created a collaborative portrait of the changing face of this community. Over the years, some in the community were killed, while others disappeared or went to jail, and others, once children in early photographs, grew up and had children of their own. In this way, <\/span><\/span><\/span>Imperial Courts<\/span><\/span><\/span><\/em> constitutes a complex and evocative record of the passage of time in an underserved community.<\/span><\/span><\/span><\/p>\n

Awoiska van der Molen<\/strong> <\/span><\/span><\/span><\/p>\n

Awoiska van der Molen\u00a0(b. 1972, The Netherlands) has been nominated for her exhibition <\/span><\/span><\/span>Blanco<\/span><\/span><\/span><\/em> at Foam Fotografie Museum, Amsterdam (22 Jan – 3 Apr 2016). Van der Molen creates black and white, abstracted images that revitalise the genre of landscape photography. Spending long periods of time in solitude and silence in foreign landscapes, from Japan to Norway to Crete, she explores the identity of the place, allowing it to impress upon her its specific emotional and physical qualities and her personal experience within it. With this intuitive approach van der Molen aims to find a pure form of representing her surroundings, by focusing on the essential elements in and around her. Her work questions how natural and manmade environments are commonly represented and interacted with.<\/span><\/span><\/span><\/p>\n

Taiyo Onorato and Nico Krebs <\/span><\/span><\/span><\/h3>\n

Taiyo Onorato and Nico Krebs (both b. 1979, Switzerland) have been nominated for their exhibition <\/span><\/span><\/span>EURASIA<\/span><\/span><\/span><\/em> at Fotomuseum Winterthur (24 Oct 15 \u2013 14 Mar 16). <\/span><\/span><\/span>EURASIA<\/span><\/span><\/span><\/em> playfully draws on the iconography of the road trip constructing experiences drawn from memory and imagination. Onorato and Krebs\u2019 journey begins in Switzerland, continues through the Ukraine, Georgia, Azerbaijan, Turkmenistan, Uzbekistan, Kazakhstan, Russia, and ends in Mongolia. Throughout their travels the duo encounters landscapes and people in a state of ongoing transition from ancient traditions and post-Communist structures to modernity and the formation of an independent identity. Using a mix of analogue media and techniques including 16mm films, large-format plate cameras and installation-based interventions, Onorato and Krebs compose a narrative that is as much fiction as documentation.<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

This year\u2019s shortlist for the Deutsche B\u00f6rse Photography Foundation Prize 2017 celebrates established photographic narratives alongside experimental and conceptual approaches to documentary, landscape and portraiture. All of this year\u2019s nominated artists investigate questions of truth and fiction, doubt and certainty, what constitutes the real and ideal and the relationship between the observer and the observed. […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[35],"tags":[],"class_list":["post-37552","post","type-post","status-publish","format-standard","hentry","category-preise-en"],"acf":[],"yoast_head":"\nDeutsche B\u00f6rse Photography Foundation Prize 2017 - Camera Austria<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/camera-austria.at\/en\/2016\/12\/deutsche-borse-photography-foundation-prize-2017-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Deutsche B\u00f6rse Photography Foundation Prize 2017 - Camera Austria\" \/>\n<meta property=\"og:description\" content=\"This year\u2019s shortlist for the Deutsche B\u00f6rse Photography Foundation Prize 2017 celebrates established photographic narratives alongside experimental and conceptual approaches to documentary, landscape and portraiture. 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