{"id":38049,"date":"2017-03-06T17:42:07","date_gmt":"2017-03-06T16:42:07","guid":{"rendered":"http:\/\/camera-austria.at\/2017\/03\/exhibition-haris-epaminonda-vol-xxii-2\/"},"modified":"2017-03-06T17:42:07","modified_gmt":"2017-03-06T16:42:07","slug":"exhibition-haris-epaminonda-vol-xxii","status":"publish","type":"post","link":"https:\/\/camera-austria.at\/en\/2017\/03\/exhibition-haris-epaminonda-vol-xxii\/","title":{"rendered":"Exhibition: Haris Epaminonda \u2013 VOL. XXII"},"content":{"rendered":"
\n

March 10 \u2013 June 4 2017, Aspen Art Museum<\/a><\/p>\n

In her Aspen Art Museum exhibition, Berlin-based, Cypriot-born artist Haris Epaminonda expands on her practice of carefully arranging found images, objects, and film\/video footage together in space. Interested in how objects\u2019 meanings are transformed when placed in new environments, the artist reorganizes and reconfigures artifacts from different cultures and eras\u2014such as found book pages, textiles, carvings, and statues\u2014into new sculptural and architectural constellations. Developed on-site and in direct response to the gallery architecture, Epaminonda\u2019s work uses abstraction and fragmentation to create new narratives and readings, collapsing the temporal distance between the past and the present. The end result is a subtle transformation of our understanding of material, space, and form.<\/p>\n

VOL. XXII<\/em> was conceived alongside Epaminonda\u2019s recent, ongoing project\u2014in collaboration with Point Centre for Contemporary Art, Cyprus\u2014in which she examines architecture\u2019s ongoing relationship with history, topography, and the construction of narratives. Acting more as an appendix of an imaginary museum, the project comprises a synthesis of multiple architectural elements, ornaments, and details of an interior and exterior scenery. Over time, these various fragments\u2014a column, an entrance, a courtyard\u2014will come together and shape the image of a place.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

March 10 \u2013 June 4 2017, Aspen Art Museum In her Aspen Art Museum exhibition, Berlin-based, Cypriot-born artist Haris Epaminonda expands on her practice of carefully arranging found images, objects, and film\/video footage together in space. Interested in how objects\u2019 meanings are transformed when placed in new environments, the artist reorganizes and reconfigures artifacts from […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[],"class_list":["post-38049","post","type-post","status-publish","format-standard","hentry","category-redaktion-en"],"acf":[],"yoast_head":"\nExhibition: Haris Epaminonda \u2013 VOL. 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