{"id":40068,"date":"2017-09-01T14:54:11","date_gmt":"2017-09-01T12:54:11","guid":{"rendered":"http:\/\/camera-austria.at\/?p=40068"},"modified":"2017-10-13T13:57:47","modified_gmt":"2017-10-13T11:57:47","slug":"screening-tatiana-lecomte-hors-champ-2","status":"publish","type":"post","link":"https:\/\/camera-austria.at\/en\/2017\/09\/screening-tatiana-lecomte-hors-champ-2\/","title":{"rendered":"Screening: Tatiana Lecomte. Hors-Champ"},"content":{"rendered":"
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mumok<\/a>, Vienna, October 11, 2017, 19:00<\/span><\/p>\n

Tatiana Lecomte<\/strong> is showing a selection of films that have impressed her greatly and influenced her own work, contrasting these with her own film Ein m\u00f6rderischer L\u00e4rm<\/em> (A Thunderous Noise<\/em>). This film is based on the experiences of Frenchman Jean-Jacques Boijentin (1920\u20132015) in the Gusen II<\/span> concentration camp in St. Georgen an der Gusen (to the east of Linz), a subsidiary camp of Mauthausen. Prisoners were deployed to build a secret underground factory making jet airplanes. Conditions in the camp were inhuman, and the work underground was even worse. The title Hors-champ<\/em> refers to the space that we do not see in the film, a gap that we fill in automatically with our own experience and knowledge.<\/p>\n

Hannes B\u00f6ck, F\u00fcnf Skulpturen aus den \u00e4gyptischen Heiligt\u00fcmern im Museo del Sannio<\/em>, Benevento: n. 252 Hockender Pavian, Diorit; n. 253 Falke, Amphibolit; n. 255 Falke, Gabbro; n. 256 Hockender Pavian, Diorit; n. 280 Apis-Stier, Diorit<\/em>, 2013, 9 min
\nTatiana Lecomte, Ein m\u00f6rderischer L\u00e4rm<\/em>, 2015, 21 min
\nMorgan Fisher, Production Stills<\/em>, 1970, 11 min
\nRainer W\u00f6lzl, Die Linke<\/em>, 2009, 3 min
\nHans Schabus, Atelier<\/em>, 2010, 8 min
\nJames Benning & Bette Gordon, The United States of America<\/em>, 1975, 27 min<\/p>\n

Followed by a conversation with Tatiana Lecomte and Maren L\u00fcbbke-Tidow<\/strong><\/p>\n

Tatiana Lecomte<\/a> lives in Vienna. Exhibitions (selection): Nach einer wahren Begebenheit<\/em>, Galerie Marenzi, Leibnitz (2017); Tselem ve-Tsilum<\/em>, J\u00fcdisches Museum am Judenplatz, Vienna (2013); \u0160ejla Kameric, Tatiana Lecomte<\/em>, Camera Austria, Graz (2011).<\/p>\n

Maren L\u00fcbbke-Tidow<\/a> works on photography and visual art. She writes for a range of international magazines, books, catalogues, and artists, and curates exhibitions in different institutional contexts, among others at Camera Austria (Graz).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

mumok, Vienna, October 11, 2017, 19:00 Tatiana Lecomte is showing a selection of films that have impressed her greatly and influenced her own work, contrasting these with her own film Ein m\u00f6rderischer L\u00e4rm (A Thunderous Noise). This film is based on the experiences of Frenchman Jean-Jacques Boijentin (1920\u20132015) in the Gusen II concentration camp in […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[],"class_list":["post-40068","post","type-post","status-publish","format-standard","hentry","category-redaktion-en"],"acf":[],"yoast_head":"\nScreening: Tatiana Lecomte. 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