{"id":36049,"date":"2016-07-28T11:17:28","date_gmt":"2016-07-28T09:17:28","guid":{"rendered":"http:\/\/camera-austria.at\/?post_type=product&#038;p=36049"},"modified":"2017-03-30T10:25:58","modified_gmt":"2017-03-30T08:25:58","slug":"stefanie-seufert-wood-survives-in-the-form-of-postholes","status":"publish","type":"product","link":"https:\/\/camera-austria.at\/en\/product\/stefanie-seufert-wood-survives-in-the-form-of-postholes\/","title":{"rendered":"Stefanie Seufert: Wood Survives in the Form of Postholes"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>Graz, 2016<br \/>\nwith texts by Stefan Panhans, Maren L\u00fcbbke-Tidow and Reinhard Braun<br \/>\n107 pages, germ., engl.<br \/>\n21,8 <span id=\"zeichen\">\u00d7<\/span> 28 cm<br \/>\n68 colour illustrations<\/p>\n<p>Edition Camera Austria<\/p>\n<p>ISBN 978-3-902-911-247<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>So, for example, various arrangements as if shot directly from above with a repro camera of flat, transparently translucent, potato-slice-like ovals\u2014pastel-light-hued, seemingly completely disembodied, almost a bit like watercolour-like shadows of something, floating before a nearly neutral white. But shadows of what? It almost reminds me of &#8230; ? Exactly, the title then indeed says it: \u201cPringles\u201d.<br \/>\n<em>Wood Survives in the Form of Postholes<\/em> indicates Stefanie Seufert\u2019s searching approach to the world of things that surrounds us. Let\u2019s call it a release of aesthetic signs that\u2014like postholes\u2014are always somehow there and constantly surround us, but that produce no visibility of their own, but, on the contrary, seem to lead an existence of their own. The result is an archaeology of the present: seeing and studying things enlarged. Tied to the medium of photography, which claims universality, and that can, as Seufert shows, stand up to all critique of representation despite that promise.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"featured_media":36027,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[52],"product_tag":[],"class_list":{"0":"post-36049","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-book","8":"first","9":"instock","10":"taxable","11":"shipping-taxable","12":"purchasable","13":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Stefanie Seufert: Wood Survives in the Form of Postholes - Camera Austria<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/camera-austria.at\/en\/product\/stefanie-seufert-wood-survives-in-the-form-of-postholes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Stefanie Seufert: Wood Survives in the Form of Postholes - Camera Austria\" \/>\n<meta property=\"og:description\" content=\"Graz, 2016 with texts by Stefan Panhans, Maren L\u00fcbbke-Tidow and Reinhard Braun 107 pages, germ., engl. 21,8 \u00d7 28 cm 68 colour illustrations  Edition Camera Austria  ISBN 978-3-902-911-247  &nbsp;  &nbsp;  So, for example, various arrangements as if shot directly from above with a repro camera of flat, transparently translucent, potato-slice-like ovals\u2014pastel-light-hued, seemingly completely disembodied, almost a bit like watercolour-like shadows of something, floating before a nearly neutral white. But shadows of what? It almost reminds me of ... ? Exactly, the title then indeed says it: \u201cPringles\u201d. Wood Survives in the Form of Postholes indicates Stefanie Seufert\u2019s searching approach to the world of things that surrounds us. Let\u2019s call it a release of aesthetic signs that\u2014like postholes\u2014are always somehow there and constantly surround us, but that produce no visibility of their own, but, on the contrary, seem to lead an existence of their own. The result is an archaeology of the present: seeing and studying things enlarged. 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