The publication at hand joins the discourse on forms of visual reduction within current photographic projects. Here a pictorial language begins to take shape, one which explicitly turns against narration and which, conversely, advocates the intrinsic value of materiality in photography: images of ephemeral phenomena and states that condense into a specific form in an alien and yet emblematic moment. The aim is not the disclosure or aestheticisation of reality but rather an exploration of the question concerning the relation between visibility and reality. In her compositions, Seufert works on a “subtle (and often also ironic) disguising of a view of things that is only purportedly transparent”, as Florian Ebner notes.