Karina Nimmerfall: Unintentional Monument [The Matrix Code]

Günther Selichar: Nocturnal Office for Real(i)ties (revisited). Subtexts on Working in and with Mass Media

Sandra Schäfer: Contested Landscapes

Stephan Keppel: Immer Zimmer

Martin Behr, Martin Osterider: Triester 16

Anaïs Horn: Die Hand voller Stunden, so kamst du zu mir

Julia Gaisbacher: One Day You Will Miss Me

Sabine Bitter & Helmut Weber (Ed.): Bildungsmoderne entzaubern. Johann Wolfgang Goethe-Universität Frankfurt

Sabine Bitter & Helmut Weber, Guests & Hosts (Ed.): Unsettling Educational Modernism. Simon Fraser University, Vancouver

Isa Rosenberger . . . the vast land from which she comes

Martin Behr, Martin Osterider: Triester 15

Oliver Ressler (Ed.): Barricading the Ice Sheets. Artists and Climate Action in the Age of Irreversible Decision

Ines Schaber: Notes on Archives 3. Picture Mining

Stefan Pente, Ines Schaber: Notes on Archives 5. Unnamed Series

Ines Schaber: Notes on Archives

Ines Schaber: Notes on Archives 4. Dear Jadwa

Ines Schaber: Notes on Archives 2. Culture Is Our Business

Ines Schaber: Notes on Archives 1. Obtuse, Flitting By, and in Spite of All—Image Archives in Practice

Martin Behr, Martin Osterider: Triester 14

Maria Hahnenkamp: What Does Photography Mean Here?

Camera Austria International. Labor für Fotografie und Theorie

Alice Maude-Roxby, Stefanie Seibold: Censored Realities / Changing New York. The complete reclaimed texts of art critic and political journalist Elizabeth McCausland intended for photographer Berenice Abbott’s 1930s seminal book Changing New York

Stephanie Kiwitt: Máj/My

Heidi Specker: Fotografie

Karina Nimmerfall: Indirect Interviews with Women

Martin Behr, Martin Osterider: Triester 13

Horáková + Maurer: TPX-Index

Özlem Altin: Dance

Hans Hansen: Atelier

Tatiana Lecomte: Meine erste Löwin

Martin Behr, Martin Osterider: Triester 12

Stephanie Kiwitt: Dialogues

Markus Krottendorfer: At New Moon Tomorrow

Stefanie Seufert: Wood Survives in the Form of Postholes

Friedl Kubelka: Atelier d’Expression (Dakar)

Martin Behr, Martin Osterider: Triester 11

Martin Behr, Martin Osterider: Triester
artists’ books in slipcase

Martin Behr, Martin Osterider: Triester

The Militant Image Reader

Philip Gaißer: Ants 1

Karina Nimmerfall: 1953. Possible Scenarios of a Discontinued Future

Landscape. Construction of a Reality

Erik van der Weijde, Gebilde

Archives, Re-Assemblances, and Surveys

Sven Johne: Where the sky is darkest, the stars are brightest.

Stefanie Seibold:
images = images

Stefanie Seufert

DLF 1874
The Biography of Images

Tatiana Lecomte: DISSOLUTION

Seiichi Furuya: Mémoires. 1984 – 1987

Archiv Peter Piller: Materialien (D). Peripheriewanderung Graz

Common Affairs

Elke Krystufek: Nein

CAMERA AUSTRIA International: Index Nr. 1/1980 – 100/2007

Karina Nimmerfall: cinematic maps

GOLDEN YEARS. Materialien und Positionen zu queerer Subkultur und Avantgarde zwischen 1959 und 1974

Erich Kees: in mir

BitterWeber: Live like this!

ABSTRACTION NOW

Pierre Bourdieu: In Algerien. Zeugnisse der Entwurzelung

Allan Sekula: TITANIC’s wake

Hans Peter Feldmann: GRAZ

Michael Janiszewski: Fotoarbeiten 1990 -1999

Rosa Brückl / Gregor Schmoll: Das Frühwerk

Friedl Kubelka: Schaulust

Branko Lenart: Kaddisch

Stadtpark Zwei

Radikale Bilder

Olivier Richon: After D.L.

HORÁKOVÁ & MAURER: BUFET Tugendhat

Eva Maria Ocherbauer: Still alive

War

Sabine Bitter: An die Wand

Nobuyoshi Araki: AKT-TOKYO. 1971-1991

Christian Wachter: ABPOPA/AURORA

Astrid Klein: Photoarbeiten 1984-1989

Stadtpark Eins

Seiichi Furuya: Mémoires 1978-1988

Hans Frank: Hinter den Kulissen

Shomei Tomatsu: Japan 1952-1981

Helmut Tezak: Dakar

Symposion on Photography III

Symposion on Photography II

Manfred Willmann: Schwarz und Gold

Seiichi Furuya: AMS

Symposion on Photography I