Ines Schaber: Notes on Archives
Infos
Preis
Ines Schaber: Notes on Archives 2. Culture Is Our Business
Ines Schaber: Notes on Archives 3. Picture Mining
Ines Schaber: Notes on Archives 4. Dear Jadwa
Stefan Pente, Ines Schaber: Notes on Archives 5. Unnamed Series
Hrsg. von Ines Schaber (eng.).
Archive Books, Berlin; Edition Camera Austria, Graz 2018 – 2019.
Analog zu den in der Ausstellung bei Camera Austria gezeigten Projektenentstanden zur Eröffnung die ersten drei Bücher. Im Herbst 2019 erschienen weitere zwei Bände der fünfbändigen Publikationsreihe in Kooperation mit Archive Books.
Ines Schaber, Notes on Archives 1, 2, 3, 4, 5, 2018–19.
Beschreibung
Notes on Archives is a series of publications by artist Ines Schaber about archives and the practices we conduct in relation to them. Produced over the course of more than ten years, the publications feature a series of case studies, research, concrete projects, and reflections on the questions and problems that image archives pose today. The aim of the work is not to find or create another institutional archive per se, but to develop a practice in which the set of problems that archives produce is in fact part of the process one engages in.
The artist understands the archive as a place of negotiation and writing. “There is no political power without control of the archive, if not of memory. Effective democratization can always be measured by this essential criterion: the participation in and the access to the archive, its constitution, and its interpretation,” writes Jacques Derrida.
Ansichten
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Ines Schaber, Notes on Archives 1, 2, 3, 4, 5, 2018–19.
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Cover: Ines Schaber, Notes on Archives 1, Obtuse, flitting by, and in spite of all—image archives in practice, 2018.
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Doppelseite / spread: Ines Schaber, Notes on Archives 1, Obtuse, flitting by, and in spite of all—image archives in practice, 2018, S. / pp. 18–19.
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Doppelseite / spread: Ines Schaber, Notes on Archives 1, Obtuse, flitting by, and in spite of all—image archives in practice, 2018, S. / pp. 82–83.
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Doppelseite / spread: Ines Schaber, Notes on Archives 1, Obtuse, flitting by, and in spite of all—image archives in practice, 2018, S. / pp. 138–139.
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Doppelseite / spread: Ines Schaber, Notes on Archives 1, Obtuse, flitting by, and in spite of all—image archives in practice, 2018, S. / pp. 144–145.
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Cover: Ines Schaber, Notes on Archives 2, Culture Is Our Business, 2018.
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Doppelseite / spread: Ines Schaber, Notes on Archives 2, Culture Is Our Business, 2018, S. / pp. 4–5.
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Doppelseite / spread: Ines Schaber, Notes on Archives 2, Culture Is Our Business, 2018, S. / pp. 16–17.
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Doppelseite / spread: Ines Schaber, Notes on Archives 2, Culture Is Our Business, 2018, S. / pp. 18–19.
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Cover: Ines Schaber: Notes on Archives 3. Picture Mining, 2019.
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Doppelseite / spread: Ines Schaber, Notes on Archives 3. Picture Mining, 2019, S. / pp. 12–13.
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Doppelseite / spread: Ines Schaber, Notes on Archives 3. Picture Mining, 2019, S. / pp. 30–31.
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Doppelseite / spread: Ines Schaber, Notes on Archives 3. Picture Mining, 2019, S. / pp. 40–41.
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Doppelseite / spread: Ines Schaber, Notes on Archives 3. Picture Mining, 2019, S. / pp. 54–55.
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Doppelseite / spread: Ines Schaber, Notes on Archives 3. Picture Mining, 2019, S. / pp. 56–57.
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Cover: Ines Schaber, Notes on Archives 4, Dear Jadwa, 2018.
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Doppelseite / spread: Ines Schaber, Notes on Archives 4, Dear Jadwa, 2018, S. / pp. 24–25.
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Doppelseite / spread: Ines Schaber, Notes on Archives 4, Dear Jadwa, 2018, S. / pp. 26–27.
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Doppelseite / spread: Ines Schaber, Notes on Archives 4, Dear Jadwa, 2018, S. / pp. 28–29.
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Cover: Stefan Pente, Ines Schaber: Notes on Archives 5. Unnamed Series, 2019.
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Doppelseite / spread: Stefan Pente, Ines Schaber: Notes on Archives 5. Unnamed Series, 2019. S. / pp. 6–7.
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Doppelseite / spread: Stefan Pente, Ines Schaber: Notes on Archives 5. Unnamed Series, 2019. S. / pp. 30–31.
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Doppelseite / spread: Stefan Pente, Ines Schaber: Notes on Archives 5. Unnamed Series, 2019. S. / pp. 22–23.
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Doppelseite / spread: Stefan Pente, Ines Schaber: Notes on Archives 5. Unnamed Series, 2019. S. / pp. 24–25.
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