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Seiichi Furuya: Our Pocketkamera 1985

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Karina Nimmerfall: Unintentional Monument [The Matrix Code]

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Günther Selichar: Nocturnal Office for Real(i)ties (revisited). Subtexts on Working in and with Mass Media

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Martin Behr, Martin Osterider: Triester 16

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Anaïs Horn: Die Hand voller Stunden, so kamst du zu mir

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Julia Gaisbacher:
One Day You Will Miss Me

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Isa Rosenberger
. . . the vast land from which she comes

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Martin Behr, Martin Osterider: Triester 15

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Oliver Ressler (Ed.): Barricading the Ice Sheets. Artists and Climate Action in the Age of Irreversible Decision

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Stefan Pente, Ines Schaber: Notes on Archives 5. Unnamed Series

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Ines Schaber: Notes on Archives 3. Picture Mining

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Ines Schaber: Notes on Archive

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Martin Behr, Martin Osterider: Triester 14

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Maria Hahnenkamp: What Does Photography Mean?

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Alice Maude-Roxby, Stefanie Seibold: Censored Realities / Changing New York

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Stephanie Kiwitt: Máj/My

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Ines Schaber: Notes on Archives 1. Obtuse, Flitting By, and in Spite of All— Image Archives in Practice

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Ines Schaber: Notes on Archives 2. Culture Is Our Business

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Ines Schaber: Notes on Archives 4. Dear Jadwa

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Heidi Specker: Fotografie

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Karina Nimmerfall: Indirect Interviews with Women

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Martin Behr, Martin Osterider: Triester 13

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Horáková + Maurer: TPX-Index

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War (1993) and Radical Images (1996)

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Volume I (1980) and volume II (1981)

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Özlem Altin: Dance

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Hans Hansen: Atelier

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Tatiana Lecomte: Meine erste Löwin

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Martin Behr, Martin Osterider: Triester 12

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Stephanie Kiwitt: Dialogues

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Markus Krottendorfer: At New Moon Tomorrow

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Stefanie Seufert: Wood Survives in the Form of Postholes

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Friedl Kubelka: Atelier d’Expression (Dakar)

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Martin Behr, Martin Osterider: Triester

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Einzelausgabe
Martin Behr, Martin Osterider: Triester

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The Militant Image Reader

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Philip Gaißer: Ants 1
SIGNED issue

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Philip Gaißer: Ants 1

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Karina Nimmerfall: 1953. Possible Scenarios of a Discontinued Future

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Erik van der Weijde, Gebilde

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Volume 9
Martin Behr, Martin Osterider: Triester

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Archives, Re-Assemblances, and Surveys

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Sven Johne: Where the sky is darkest, the stars are brightest.

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Stefanie Seibold: images = images. Re-Reading the Performance Works of Gina Pane

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Stefanie Seufert

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DLF 1874
Die Biografie der Bilder

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Tatiana Lecomte: DISSOLUTION

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Seiichi Furuya.
Mémoires. 1984 – 1987

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Archiv Peter Piller: Materialien (D). Peripheriewanderung Graz

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Elke Krystufek: Nein

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Common Affairs

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CAMERA AUSTRIA International: Index Nr. 1/1980 – 100/2007

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Karina Nimmerfall: cinematic maps

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GOLDEN YEARS

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Erich Kees: in mir

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BitterWeber: Live like this!

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ABSTRACTION NOW

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Sale!
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Pierre Bourdieu: In Algerien. Zeugnisse der Entwurzelung

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Allan Sekula: TITANIC’s wake

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Hans Peter Feldmann: GRAZ

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Michael Janiszewski: Fotoarbeiten 1990 -1999

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Rosa Brückl / Gregor Schmoll: Das Frühwerk

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Branko Lenart: Kaddisch

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Friedl Kubelka: Schaulust

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Stadtpark Zwei

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Radikale Bilder

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Olivier Richon: After D.L.

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HORÁKOVÁ & MAURER: BUFET Tugendhat

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Eva Maria Ocherbauer: Still alive

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Krieg / War

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Sabine Bitter: An die Wand

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Nobuyoshi Araki: AKT-TOKYO. 1971-1991

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Christian Wachter: ABPOPA/AURORA

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Seiichi Furuya: Mémoires 1978-1988

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Stadtpark Eins

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Astrid Klein: Photoarbeiten 1984-1989

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Hans Frank: Hinter den Kulissen

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Shomei Tomatsu: Japan 1952-1981

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Helmut Tezak: Dakar

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Symposion über Fotografie III

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Symposion über Fotografie II

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Manfred Willmann: Schwarz und Gold

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Seiichi Furuya: AMS

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Symposion über Fotografie I

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